About Us

Graham Maw Christie was established in 2005 to focus exclusively on non-fiction. Our approach is collaborative, creative and market-driven. We believe a successful book starts with a strong proposal and that authors need someone in their corner: not just to find them the right editor but to support them during the process of writing the best book they can; through each stage of production, publicity & marketing and then long after the book has been published. We love what we do. Building good working relationships with publishing editors and authors is at the heart of our business, and we delight in each author’s every triumph, with many becoming national and international bestsellers, Sunday Times bestsellers, prize winners and published in multiple languages worldwide.
We work very closely with our authors, shaping book ideas, editing proposals and manuscripts, giving advice and offering strategies and support at every step.
As well as support with marketing and social media advice, we help build profiles and brands by collaborating with speaker agencies, publicists and talent agents, while our sub-agents handle representation for TV film and foreign rights.

​We are members of the Association of Authors' Agents and abide by their Code of Practice.

LEGAL COUNSEL: ROUSE

Jane Graham Maw 

 Agent
​Jane has over 25 years' experience in the publishing industry. She has worked in rights, contracts and marketing and as a commissioning editor and then publishing director (HarperCollins). She has also ghostwritten books for celebrities and experts. With an English degree from Cambridge and a post-graduate qualification in marketing she is driven by a desire to champion quality writing with a clear message. She is particularly interested in inspirational memoir, nature writing, activism, green issues, spirituality, self-care and wellness titles.
Jane is often asked to give talks or workshops to writers' groups or at literary festivals on how to get a non-fiction book deal and she is a mentor for The Arkbound Foundation, a charity that aims to improve diversity within publishing. 

Jennifer Christie 

Agent
Jennifer Christie has worked in publishing as a literary agent for 16 years. Before starting the agency with Jane, she worked in marketing and advertising for 12 years - PR (The Rowland Company, Saatchi & Saatchi), and advertising (TBWA, Ogilvy and Mather) and journalism (BBC and freelance). She has also worked as a ghostwriter. Jennifer’s interests are wide ranging, but she is particularly drawn to memoir, pop science, neuroscience, philosophy, smart thinking, smart working, and humour.

Maddy Belton

 Agent
Maddy has been working with Graham Maw Christie since 2018.   She assists Jennifer and Jane with admin as well as reading and researching for the agency and working with her own list of clients.  She also consults for Spread the Word as part of their London Writers Awards.  Maddy's interests are broad but she is particularly interested in hearing from marginalised voices including, but not limited to, those in the LGBTQ+ community and BIPOC.

Rebecca Winfield 

Foreign Rights 
Translation rights are handled by Rebecca Winfield, who was the Rights and Contracts Director at Transworld Publishers before becoming a literary agent in 2003. She now specialises in foreign rights management at David Luxton Associates. Rebecca has first-rate contacts with foreign publishers throughout the world and in addition to attending the Frankfurt and London book fairs she also makes regular trips abroad to meet up with publishers in their offices.

Meg Davis 

TV/Film Rights
Meg’s work for her clients is informed by her involvement behind the scenes, previously as co-Chair of the Dramatists’ section of the PMA, on the management board of Public Lending Right, and as the external examiner for the MA in Scriptwriting course at Sheffield Hallam.  She is currently Chair of the Writers’ Organisations Advisory Group, and serving a third term on the committee of the Association of Authors’ Agents. She represents our titles which have particular potential for television (factual or drama), dramatic or film adaptation.

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